LOST: The morning after "Through the Looking Glass"

Lisa and I woke up and the first words out of her mouth were that "it's hard to sleep with something like THAT on your mind."

For the first time in a long time, it could honestly be said that television history was made last night.

I am not that much of a television person. Never have been. The number of shows that I've actively kept up with during my life could be numbered with my hands. And it took me awhile to "get into" Lost. I'm sorta like the Amish when it comes to TV: I have to fully trust it before I invest my time in it. But Lisa's mom kept saying how this was a really good show, so I gave it a shot.

And I've never been so glad that I did than I am after last night.

"Through the Looking Glass", the Lost Season 3 finale, is the most beautifully orchestrated and mind-blowing single episode of a television show that I've ever seen. My brain still hasn't stopped reeling from what we saw last night. Remember the twist ending that we saw in The Sixth Sense? Well, "Through the Looking Glass" was ten times that "HOLY (your choice of exclamation here)!!!" that we felt at the end of that movie. Ever since the return from the break in February Lost has consistently been some of the best fiction that I've seen in any medium. This final episode for Season 3 raised the bar across the board for everything, especially for TV (either network or "premium" channels like HBO). On a scale of 1 to 10, I'd give "Through the Looking Glass" a 27.

There was only one thing that bugged me about "Through the Looking Glass". That was when Locke saw Walt (or whatever the heck that really was, since I'm sure the real Walt is still on the boat with Michael after last season's finale). Walt looked and sounded old enough to buy cigarettes. Guess that couldn't be helped: Malcolm David Kelley was, what, 10 years old when the pilot episode was shot? Looks like puberty kicked in bigtime since last season's finale. But since that obviously wasn't the real Walt, I guess this can be allowed to slide. If they ever do show the real Walt though, there'd better be a darned good explanation for his ultra-fast growth spurt (but this being Lost, anything could probably be made to sound like it makes sense :-).

The most powerful moment of the whole show (after that "JEEZ LOUISE!" shocker of a final scene) was the last time we saw Charlie. We literally had to hold back the tears. I don't think that could have been handled any more poignantly. And I'm trying as hard as I can to not be too "spoiler-ish" for anyone who hasn't had the good fortune of seeing this show yet.

Sayid showed us once again last night that he is the baddest mothe-"shut yo mouth" on TV right now (or ever). Did you see what he did to that guy... with his legs?!?

Of all the moments that Hurley has had, this was his biggest moment to shine. It's funny: last week I found myself wondering about whatever happened to the DHARMA van. The scene where Hurley charges the beach in it, pedal-to-the-metal with that look of "I'm coming to get YOU!" on his face... just awesome! I've said this before and I'll say it again: Hurley is the real leader of the Flight 815 survivors. He's gone way out of his way to provide for his friends, to give them a good time... and to stand by them when they need it most. What he did last night just affirmed it that much more.

Did anyone else get the craziest feeling that for all of Ben's lies and manipulations and orders to kill people... that maybe there really is something we don't know about yet that he's very much in fear of? After last night I still think Ben is one of the most hated TV characters ever... but now there's a weird sense of sincerity about him. Still didn't keep me from cheering when Jack beat the living snot out of him.

By the way, I loved how Ben is fast losing control over the Others. It's like the last bit of Stephen King's The Stand when things began going bad for Randall Flagg and no matter how hard he tries to control things, they keep spinning out of control.

If that's not Penny's boat... then who is it? The only thing I can think of is that it's DHARMA... but if DHARMA is still active, then they must already still know where the Island is, since they're still dropping groceries onto it. That's probably the biggest question that I can think of to take us into next season.

Now as for "that thing". You know what I'm talking about if you watched it last night. Lost is notorious for setting things up so that you have to watch an episode more than once, sometimes two or three times even. I think that last night's episode is going to be the most dissected and analyzed and hypothesized two hours of television. I keep thinking about how all that time people were calling Jack a "hero", and it seemed like they were referring to what happened with the car crash. Except it turns out that they called him a hero for something else entirely. And then that final scene where the car pulls up and Jack talks with a certain someone: as I said right after the show, that scene made the synapses in my brain misfire while trying to figure out just what the heck was going on. And then Lisa tells me. If she hadn't figured it out I would have probably been wrestling with that all night (or at least until I read about it online). That one was hands-down one of the biggest shockers in either a TV show or a movie... or a book for that matter (I really hope that Harry Potter and the Deathly Hallows will have a shocker just half as sad and pure loco as what Lost was last night).

So... who's in the casket? Four or five people come to mind. One in particular. But like I said, I'm trying hard not to be too spoiler-ish.

Man, if I were a drinking man, I would have needed some serious hard liquor after last night's Lost. That was definitely better television that we deserve.

Amazing. Just bloody amazing. Now we have to wait until next January (at the earliest) to see how and where... and when... this story progresses from here.

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Moments after LOST Season 3 finale ...

Stunned.

I need to say, so that everyone will know, that Lisa was the first here to figure out what was really happening in that last scene. When... that person... got out of the car, that completely threw me for a loop, 'cuz that made NO sense at all. It wasn't until the very final seconds that Lisa told me what was going on and everything just "clicked" into place.

It's been a long day and I need to hit the sack. I'm going to post more about this tomorrow. But I couldn't end tonight without giving Lisa credit for being the first here to understand what we were actually seeing.

That might have been the finest two hours of televised fiction that I've ever seen. And most of this past season of Lost was already, in my opinion, some of the finest storytelling I'd seen in this medium.

Just... amazing.

By the way, Hurley totally ruled in this episode!

More tomorrow. After it's sunk in.

This is gonna be one long torturous wait until next winter.

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STAR WARS: TALES OF THE NEW REPUBLIC

Check this cryptic page out for some amazing Star Wars artwork. We already knew that Lucasfilm was producing a Clone Wars animated series and that there was supposed to be a second animated project: is this it? The page says "Stop by this Friday to find out more". Since Star Wars Celebration IV is just getting started in Los Angeles and that Friday is the 30th anniversary of the first film, there's no doubt that all kinds of saga wackiness could be erupting over the next few days.

Anyhoo, judging by this and the other pics on that site, me like!

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We're ready to party with DHARMA food!

UPDATE 05/27/2008: You want these DHARMA Initiative food labels for yourself? Well thanks to file-hosting site MediaFire you can now download the ones that we used for this Lost party last year, along with several others that I've found since then. Just click the link and start your download. Enjoy your DHARMA food! :-)

Lost - Dharma food labels.zip (3.6 MB)

Yes, you too can have a pantry filled with DHARMA Initiative products, just like the survivors of Oceanic Flight 815 on Lost!

There is a box of DHARMA Crisps...

DHARMA Peanut Butter...

And the always-popular DHARMA Cola...

(WARNING: These are HUGE image files. All the better to note the detail :-)
If we ever need them, we can also have DHARMA Baked Beans, DHARMA Mayonnaise, DHARMA Tuna, DHARMA Salt, DHARMA Chocolate... and DHARMA Beer! Who knows, maybe we can even scrounge up some DHARMA Ranch Dressing (with a shelf life of 7 years at room temperature).

So I guess we're finally ready for tonight's Lost season finale... what you think? :-)

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Legalized dictatorship: Bush clears way for unprecedented seizure of power

George W. Bush is the worst President in American history. As I've said many times before: it will be decades before we have completely cleaned up the mess that this evil man and his cronies have done to this country.

Some will claim that for me to say that is not becoming a true Christian. If only Germany had been inundated with such insincere Christians in the years leading up to 1938.

The fact that I am probably in a government database somewhere as a "dissident" and a "troublemaker" for what I've posted here should be enough to make anyone pause.

Here's the story from Jerome Corsi at WorldNetDaily. This is certainly the first I'm hearing about this...

Bush makes power grab

Posted: May 23, 2007
1:00 a.m. Eastern

President Bush, without so much as issuing a press statement, on May 9 signed a directive that granted near dictatorial powers to the office of the president in the event of a national emergency declared by the president.

The "National Security and Homeland Security Presidential Directive," with the dual designation of NSPD-51, as a National Security Presidential Directive, and HSPD-20, as a Homeland Security Presidential Directive, establishes under the office of president a new National Continuity Coordinator.

That job, as the document describes, is to make plans for "National Essential Functions" of all federal, state, local, territorial, and tribal governments, as well as private sector organizations to continue functioning under the president's directives in the event of a national emergency.

The directive loosely defines "catastrophic emergency" as "any incident, regardless of location, that results in extraordinary levels of mass casualties, damage, or disruption severely affecting the U.S. population, infrastructure, environment, economy, or government functions."

WND Exclusive Commentary Bush makes power grab
Posted: May 23, 2007
1:00 a.m. Eastern

President Bush, without so much as issuing a press statement, on May 9 signed a directive that granted near dictatorial powers to the office of the president in the event of a national emergency declared by the president.

The "National Security and Homeland Security Presidential Directive," with the dual designation of NSPD-51, as a National Security Presidential Directive, and HSPD-20, as a Homeland Security Presidential Directive, establishes under the office of president a new National Continuity Coordinator.

That job, as the document describes, is to make plans for "National Essential Functions" of all federal, state, local, territorial, and tribal governments, as well as private sector organizations to continue functioning under the president's directives in the event of a national emergency.

The directive loosely defines "catastrophic emergency" as "any incident, regardless of location, that results in extraordinary levels of mass casualties, damage, or disruption severely affecting the U.S. population, infrastructure, environment, economy, or government functions."

When the president determines a catastrophic emergency has occurred, the president can take over all government functions and direct all private sector activities to ensure we will emerge from the emergency with an "enduring constitutional government."

Translated into layman's terms, when the president determines a national emergency has occurred, the president can declare to the office of the presidency powers usually assumed by dictators to direct any and all government and business activities until the emergency is declared over.

Ironically, the directive sees no contradiction in the assumption of dictatorial powers by the president with the goal of maintaining constitutional continuity through an emergency...

All it takes is for President Bush to declare a "national emergency", and he goes from being The Decider to being The Dictator.

Think it can't happen here?

Is anyone willing to bet good money with me that it won't?

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"Through the Looking Glass": Tonight's LOST last until 2008!

The story thus far...

-Naomi, the woman who parachuted onto the Island, works for a company that Penny hired to look for Desmond. She's told the Flight 815 survivors that the ship her helicopter launched from is about 80 kilometers away.

- Ben and the Others are planning an attack on the 815ers' camp in an attempt to kidnap Sun... along with any other women who could possibly become pregnant.

- Cooper is dead.

- Ben took Locke to see Jacob, and Jacob spoke two words to Locke.

- Juliet has turned traitor against Ben and told Jack about the pending attack.

- Jack has enlisted Danielle's help in order to, as Jack puts it, "blow 'em (the Others) all to Hell."

- Alex sent Karl rushing to the camp to warn them that the Others are coming right now!

- Sayid is working on contacting Naomi's ship via radio... if the Others' jamming can be deactivated.

- Jack is about to lead most of the camp away from the beach and toward the radio tower (which hasn't been seen yet) ...

- ... while Sayid, Jin, Bernard and possibly a few others will wait for the Others to arrive so they can set off the explosives.

- The last time anyone saw Locke, he had taken a bullet to the gut from Ben's gun and he was lying in a pit filled with the skeletons of the DHARMA Initiative people.

- Charlie has decided that he won't run away from his fate any longer, and knowing that he will probably not live to tell the tale, has entered the Looking Glass station ...

- ... where without warning, two well-armed women have stopped him from pushing the button that will end the jamming.

- Desmond is unconscious.

- Claire is worried.

- Aaron is crying.

- Sawyer is angry.

- Kate is horny.

- Hurley is hungry.

- Nikki and Paulo are still dead.

- Mikhail still needs some Q-Tips and is probably going to get his butt kicked again.

Tonight's Lost, titled "Through the Looking Glass", is the long-awaited Season 3 finale: the one that's said to be the "game-changer" episode that alters everything we've come to know about this story.

I know that reportedly humongous spoilers have been leaked onto the 'net during the past two weeks or so. Whatever those are, I know absolutely nothing about them. When I first heard about the leaks, I gave up every Lost website that I know of cold-turkey. My wife and I have invested way too much time in this show leading up to this episode to have the surprises ruined for us. So whatever is going to happen, I won't know anything until tonight. We are going to discover this together, the way it's supposed to be discovered.

How much do I love this show? I'm thinking of printing up some DHARMA food labels to put on snack boxes and soft drink bottles for tonight's episode... and I've never done anything that crazy for a TV show before.

Enjoy "Through the Looking Glass", friends, 'cuz this will be the last Lost until at least January 2008!

As always, look for my reaction following the show.

EDIT 8:20 a.m. EST: I've heard that tonight's Lost is supposed to be one of the most outrageous season finales ever.

"Even more outrageous than 'The Moldavian Massacre'?!?"

Here it is, the classic final moments of the 1985 season finale of Dynasty...

Let's see how tonight's Lost stacks up against that!

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Okay so... my thoughts about ON THE LOT?

So Lisa and I watched On The Lot, now about four months after we saw that promo back in January and her telling me that I should have a go at it. So with only a month before deadline I went and made Schrodinger's Bedroom. Obviously the entry round was as far as I got (nope, not so much as a callback for an interview), but it was a fun lil' film to make and I'm glad for the opportunity.

Now, as for what we finally saw on television last night...

Where this show is weak is that it, like most other "reality television" series, already seems to be built around combativeness among the contestants. In that regard I have to wonder how much of a "talent" competition this really is. I do believe that where my own entry failed was the 45-second intro: I definitely wanted to show where I'm coming from and talk about what inspired me to make a movie about Schrodinger's Cat and a little about the hurdles to overcome in making a film on such a tight deadline. Unfortunately, I now see that I should have spent all that time talking about "me me me"... and I'm not that kind of person very much. If I got to be on the show, I absolutely wanted to take Reidsville with me... but to realistically have a shot at the show, it had to just be "me" going. So if I enter again next time, my intro video has to completely reflect my personality (maybe I should have used some clips from my school board commercials...?).

Anyway, I think that the intro videos were what sold most - if not all - of the contestants we saw last night. This being "reality" television, a suitable environment for lots of cutthroat action needs to be created. So a lot of different personality types have been assembled for this show. The talent factor seems to be a distant second, just judging by some of the presentations that were made during "The Pitch" round. In case you missed it, the 50 semi-finalists were randomly given one of five "log lines" and from that, each contestant had to create a pitch for a movie. They had 24 hours to come up with one. I was coming up with ideas like crazy in just a few minutes - the mouse and the priest were two that I really had some fun notions for - and those seemed to be a lot better than what we saw on this show last night. I mean, it shouldn't be that hard, within 24 hours, to come up with a killer idea from just a scrap of suggestion. And I don't want to "name names" here but some of them were just ridiculous. There was one presentation in particular that was particularly painful to watch... and that's all I'm going to say.

Some people have noted since the show ran last night that all of the "older" contestants were eliminated after the first round. Frankly, this bothers me. I hope that happened on the merit of their pitch alone. All the same: a film-maker isn't really coming into his or her own until, I believe anyway, their mid to late thirties. The 36 that are left seem to be well below that. Thirty to forty years is long enough for a film-maker to not only learn the basics of the craft and run with it, but also to accumulate knowledge and ideas from which to draw creativity. And there shouldn't be an "upper limit" to a film-maker's age, either. Heck, if it's going to sell tickets, I don't care if the film-maker is 8, 28, or 80 years old.

It was only after the pitches and the first eliminations were made that I thought On The Lot really got interesting. The 36 that were left were allowed to split up into groups of 3 - teaming up with whoever they chose to be with - and given the theme of "out of time"... from which they have 24 hours to make a 2 and a half minute film. Again, it seems like the contestants were chosen for how much combativeness could be generated because no matter which combo of contestants that we saw, it's pretty clear that there's going to be some ill feelings one way or another. How often is it that three directors are forced together to make one movie, anyway? Yeah I know, there's the issue of time availability, but in real life this just does not happen on a routine basis. Last night's premiere ended with two teams of film-makers finding that they've chosen the same section of railroad yard to shoot a scene, with each group demanding the other get out of camera shot. What happens next? Tune in Thursday night...

I hope that the highlight of this show is going to be film-making, and the talents of the individuals involved, instead of whatever theatrics can be engineered on the part of the producers. I'm not really that big a fan of reality shows like Survivor (Rudy and Rupert are the only contestants from that show that I can think of... so that should tell ya how up-to-speed I am on that lil' Mark Burnett series) but I want to be interested in On The Lot because it is about film-making. If the show makes that its centerpiece, then I think that I can be a faithful viewer for the rest of the summer. If not, then this is going to get real old, real fast... and the sense that I'm getting from a lot of other people this morning is that they're feeling the same thing, too. We've seen "reality" television already. We know what to expect. It's like Hollywood in general: we've seen the same bloody stuff so many times that we know it by heart and we're positively bored bonkers with it. On The Lot is an opportunity to give not just prime-time TV but the film industry something it's sorely lacking: fresh new blood and ideas...

...if that's what the producers at Fox want.

It's their choice, but not really.

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